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Joined 1 year ago
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Cake day: June 28th, 2023

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  • It is not about the price. You can buy great stuff for $500 altogether, and you can only splash $500 for one piece of a sound chain, which was not really necessary in the first place (often people buy super expensive headphones and then listen on a cheap Android phone some 128 kbps MP3s - amazing, really!). It is all about balance. Personally, I do not aim for hi-end sound equipment, but I have also heard enough of the spectrum that I know I will not be satisfied with low-end devices.

    That’s why I settled for mid-tier offerings, and I am happy with my setup, knowing fully well that if anything goes bad, at least I will be able to replace it without taking a loan. After all, if you want to go hi-end, then you better have the cash to stay hi-end when necessary, and I have plenty of other hobbies to splash too much on sound.


  • Don’t believe anyone trying to sell you on the idea that FLAC sounds better than an appropriately compressed (read: transparent) lossy format: Opus ~128-160kbps, MP3 ‘V0’ (~215kbps), MP3 320kbps, AAC ~150kbps.

    Only partly true. If the rest of the chain is of decent quality (hi-res sound card, proper cables, quality headphones/speakers/monitors), then the difference between lossless and lossy is apparent to a trained ear. Especially the lack of dynamics and space is typical of lossy formats.

    Personally, I never understood why I would want to listen to anything but lossless in the first place. I never really had to worry about storage space too much for my music to consider converting it to a lossy format. I am more of a user who likes to archive stuff; therefore, lossless and FLAC are the only future-proof ways if you want to listen to your files in the next 25 years or so.