THIS motivated the “current largest labor action in USA”? Not the countless other reasons but THIS?
US petty burgies at Sigliberalism are apparently mad their comission-fueled comfortable life are being endangered and are trying to twist Marx to defend it. Also they suddenly started to love IP and cry crocodile tears about poor artists being ripped.
Also lol the donwnvotes in this thread are something entirely else, guy just shared his (admittely non-40k style) pics and every positivity for him is being dogpiled.
I read Sakai with an open mind and most of his observations are accurate. When someone says something and it explains the world really well, who am I to argue against that. That’s what made me a commie, I realized that liberal thought doesn’t really explain what I see in the world. Communism does.
Well i still don’t think he is correct in the conclusion, his observations (with which i mostly do agree too btw) merely point that at the point of writing the contradictions were not enough to overcome the centuries of intensified class warfare by bourgeoisie, including last 70 years of domination, and that is absolutely correct, as observed by the lack of revolutionary actions back then, but (giving benefit of a time passage) right now we observe contradictions intensifying.
And as a matter of fact, what they say about “current largest labor action in USA” being motivated by this minor thing is abjectly false. As i said, it’s just petty burgie murican subreddit malding about their own class issue, which isn’t proletarian, the guys whining about IP spilled that over.
I agree with this.
It’s crazy how people don’t learn and how low the historical awareness is (thought not surprised when “History” discussion is ALWAYS about the finest details of wars and the individual lives of protagonists rather than evolving systems and movements)
It’s been HUNDREDS of years that technology have been replacing jobs. Somehow the same people who say that socialism was attempted and trying to repeat it is madness are often the ones that scream and cry about IA destroying their jobs. “This time we will stop technological progress guys believe me we will keep our jobs unlike previous attempts at doing the same” it’s always projection
Whilst the third world is under such intense domination I literally do not give a fuck about Americans
Ai does not just affect Americans.
Here’s a petition from Latin American artists.
A summit for Latin American artists, EU, Japan, SE Asia.
And anecdotally, I’ve heard from artists in other countries too. How it’s affecting them and their workplace/livelihoods. So it’s not just Americans complaining, AI will probably screw over the global south more than the global north.
Why are people freaking out about AI so much? It’s literally just statistical probability and the manipulation of stock images.
Depend what freaking out you mean, i didn’t noticed much of the tinfoil skynet paranoia, but this one which i see in the internet very much is actually pretty real - the western “freelance” artists living from commissions do have much to fear, since they are very replaceable by AI - even if not now, someday in rather not very distant future. What they fear is that average Joe will not pay them for pics for their new RPG campaign or for porn but make his own with a simple tool.
it’s their own class interest, they are just trying to mask it as the proletarian class interest.
And that demographics is hugely overrepresented online, especially in communities dealing with hobbies like traditional gaming, fantasy, sci-fi, furry etc.
Makes sense. Color me surprised, though – I’d kind of assumed that the “furry Darth Sidious screwing gender-swapped Captain Kirk in Bag End while dressed as Gandalf” stuff you run into online was already auto-generated in some way, hence the mechanical look of it. You learn something new every day.
I can’t say i have much knowledge about it, but i do believe that every concievable kind of ridiculously stupid fetish do exist online.
it’s not manipulation of images – they use them as training data and then create new images, like a simplified approximation of a human neural network
I get that’s the theoretical framework, but all the images I’ve seen seem weirdly recycled – like those of a second-rate art student who spends his time making pastiches of better artists’ work. I imagine it’s because the machine, unlike the human artist, is basically limited by the dataset, and as a result the images it produces don’t look unique in our eyes?
I will say the Juche scholar in me revolts whenever I hear people in the industry use words like “intelligence” and “training” – human concepts – in talking about machines. No machine is ever truly intelligent, because it does not possess what Kim Jong-Il describes as “independence:” the ability to act in a way that is not predetermined by some basic perimeters like instinct. Calling the thing AI still reeks to me of tech industry hype.
Yes, it’s definitely premature to call it AI, and it have entire mountain of discussions behind the issue, but that box is already open and the term sticked. The fact it was always very nebulous didn’t helped.
Didn’t realize a lot of yall hated artists so much, so much for workers solidarity.
Yeah, most artists are poor as fuck or use it as a second form of income to some shittier job. Calling it “petite bourgeois” to make like $500/yr on commisions is a bit disingenuous. Plus tons of formal artistic work is just making corrections, doing draftwork, or the repetitive gruntwork of someone who has a bigger name than you.
What AI replaces are the above. The people it will elevate are the big-name artists with brand recognition. They’ll use AI to do the gruntwork. Instead of teams of concept artists you just get one highly paid person to draft inputs for the computer to interpret and then have it auto-generate hundreds of lookalikes. Architects can use AI to work out the fine details while they just focus on “the vision”. Animators won’t need tweeners or posers or texture artists or modelers, just someone with a recognizeable art style to feed data.
What AI creates is petit bourgeois content creators. You can already see this on sites that allow AI submissions, where hundreds of copy-paste grifters cheaply produce multiple AI generated images per day, based on someone else’s art style, with no skill or talent of their own, and charge people for the copyright. It’s taking the ownership of the means of production from laborers and giving it to hacks who would’ve never put in the effort to learn to do it themselves.
Contrary to popular opinion, copyright and IP make AI image generation more lucrative, because skill is no longer a barrier to entry. What makes an AI work valuable is the “ownership” rights to the image itself, because that’s what’s being traded in a transaction. In this way it’s quite similar to NFTs and draws the same crowd of supporters.
You are missing the point, which is, it’s aleady happening and it cannot be stopped outside of some heavy handed act which would furthermore had to be implemented worldwide.
It’s just happening to the people which thought they are safe (and i can’t not notice that it did produced considerable lack of solidarity to workers from their side in the past). Artists, and then will be the turn for journalists, programmers etc, like @[email protected] wrote below.
What AI replaces are the above.
No it wont. If anything the amount of “gruntwork” will increase. Also, anyone getting 500$ per year on comissions is simply irrelevant for this discussion, unless you can live the entire year for 500$ and have no major income source otherwise.
The people it will elevate are the big-name artists with brand recognition.
How big? The ones that are earning much more than 500$ per year? Seems they are afraid the most.
Even bigger? Those are rather the part of the already inflated art business.
What AI creates is petit bourgeois content creators. You can already see this on sites like deviantart, where hundreds of copy-paste grifters cheaply produce multiple AI generated images per day, based on someone else’s art style, with no skill or talent of their own, and charge people for the copyright.
Hahaha do they earn more than 500$ per year of those AI pics? I though the hate for AI is widespread surely they won’t earn much for this? And how long would it last?
Your argumentation is silly because it is exactly what happened with all other automatized trades: it eventually gets concentrated. And no, petty bourgeoisie won’t survive there, who will survive are: the giants owning everyything and the workers working for them. Of course there will be some cracks too.
It’s taking the ownership of the means of production from laborers and giving it to hacks who would’ve never put in the effort to learn to do it themselves.
Labourers don’t own IP. And sure as hell won’t in the future, IP is bourgeoise tool created by the bourgeoisie fro the bourgeoisie. Beside that entire idea of “based on someone else’s art style” is also questionable in the first place since art is copying and recreating itself in the human brain all the time, this is how it works, else you would pay Monet for every impressionist painting ever created after.
Contrary to popular opinion, copyright and IP make AI image generation more lucrative
Good thing, the “IP owning labourers” will profit on this!
because skill is no longer a barrier to entry
This is unironically the greatest thing of all in this entire AI issue. This alone make it all worth it. The only thing that can make it sour is when:
What makes an AI work valuable is the “ownership” rights to the image itself, because that’s what’s being traded in a transaction. In this way it’s quite similar to NFTs and draws the same crowd of supporters.
How is that different from the current state? Again the amounts of AI art is not even increasing currently, it is exploding, although it’s not good enough for most high-budget uses still. NFT flopped and won’t be back.
Again, to corral the AI art for the sole exploitation tool for the bourgeoisie massive legislation will be requires, which is basically what the deviant art and similar already demand! They don’t give a shit for the real art workers producing content already owned by their bosses, they are only interested in their own class interests as i was pointing out.
If anything the amount of “gruntwork” will increase.
Why would capitalists pay 5 people $35000 per year ($175k total) to produce a couple dozen sketches per day at best, when they can pay one person $60k-$80k per year to make hundreds of finished works. AI works have the speed of being a punch-press operator with the fine-tuning of a CNC-miller. We haven’t really seen custom work of this scale before. I think it will be a preview into what physical labor will look like with cheap modular robotics vs current methods based on machine operation and support crews.
Your argumentation is silly because it is exactly what happened with all other automatized trades: it eventually gets concentrated.
I agree with this. I think there will be fewer professionals who get paid more while simultaneously producing more, which will cut out a lot of the skilled workers the same way the first wave of industrialization replaced blacksmiths with metal workers and engineers. But I think in this case the people doing the cheap dataset training won’t necessarily need to be artists and they’ll probably be outsourced to third parties. So the only artists necessary are the ones telling the AI “create x images based on this drawing I uploaded”. And since most companies want a uniform style across their product line, they won’t want multiple artists messing with that data, they’ll want one person whose style is recognizeable. Similar to how big name soundtrack musicians currently get all the brand recognition despite having numerous supporting technicians, but with AI performing the role of the technicians. Another example is voice artists and actors. Anyone can have Tara Strong in their work of all they need to do is pay for a few voice samples. Or how in the new star wars movies, they found a Mark Hamill lookalike but still CG’d Hamill’s face over the actor, making the actual actor himself just a host for someone with brand recognition.
How is that different from the current state?
Small-time artists don’t make money on IP. A lot of them are IP thieves in their own right, and get popular by remixing the works of others. Their own characters and stories usually don’t get as much attention and they make most of their money on commissions (ie. a person with no skill needs their skill to make an image). Getting your own characters or story to blow up is seen as “making it” and is extremely rare if they don’t already have connections with powerful figures. Most pop culture figures have rich parents when you look into it, including animators that a lot of poor artists look up to. The reason smalltime artists get upset about AI art is because it takes away the only thing they can offer, which is the skill to create something a buyer wants. I would imagine more prolific artists are upset about it because AI will increase competition until only the most recognized brands survive, so a lot can see themselves being cut out of the equation and having all their customers go to people who are already millionaires.
to corral the AI art for the sole exploitation tool for the bourgeoisie massive legislation will be requires
I think this goes along with the myth about github’s AI program writer making it easier for newbies to get into programming. All it really does it make Github the keyholder. If you take away the necessity of learning a skill, then the person who owns the tool has all the power. Because you won’t know how to produce it yourself and will instead rely on the keyholder to give you the answer. Another example is facebook giving people pre-formatted user pages vs people doing their own html. When a tool does the work for you, you give all the power to that tool and its owner. Sure more people than ever have internet profiles, but at the cost of the real owners selling user data and manipulating their psychology. Rather than democratizing the internet by making it accessible to newbies, it instead promoted walled gardens and placed the control in the hands of big business.
They don’t give a shit for the real art workers producing content already owned by their bosses, they are only interested in their own class interests
I agree with you on this one.
Why would capitalists pay 5 people $35000 per year ($175k total) to produce a couple dozen sketches per day at best, when they can pay one person $60k-$80k per year to make hundreds of finished works. AI works have the speed of being a punch-press operator with the fine-tuning of a CNC-miller. We haven’t really seen custom work of this scale before. I think it will be a preview into what physical labor will look like with cheap modular robotics vs current methods based on machine operation and support crews.
For example: go look at the thread at Sigmarxism i took that screen from, and look at what exactly OP of that thread posted. Point is, he did specified it has to be 40k imperial propaganda and AI was completely unable to create anything looking even remotely like this. And for what i know probably thousands hours were put into getting that (EDIT: not specifically that thread naturally, but overall attempts of getting AI to create anything really 40k). Current AI is completely incapable of making it too specific, it would need tons of work. Same with anything other too specific, we are posting Marx and Stalin created by AI all the time here but you won’t see even one decent Lenin (well i got one good but anime Lenin and that’s it) or nothing even remotely resembling H&S. That means if they want to get heavily into AI that gruntwork would increase probably way more than the current art comissioning. Who knows in the future though.
I will certainly watch it since it’s interesting and we are right now at the moment of birth of technology that can potentially transform quite much, but it’s in it infancy and it can go many different ways. Though i don’t predict either the best one or the worst one happening.
But I think in this case the people doing the cheap dataset training won’t necessarily need to be artists
It was the same in manufacturing, skilled artisans were replaced by machine operators. It don’t mean that machine operators don’t need skill too, just a different one. Again we can’t stop this, and neither i do think we should stop this. And continuing the comparison, the people i talk about would be not entirely unlike the guilders.
The reason smalltime artists get upset about AI art is because it takes away the only thing they can offer, which is the skill to create something a buyer wants. I would imagine more prolific artists are upset about it because AI will increase competition
Definitely, again we will see the same phenomenon Marx described, people squeezing themselves to compete with machine and ultimately losing, becoming proletarians in the process.
until only the most recognized brands survive, so a lot can see themselves being cut out of the equation and having all their customers go to people who are already millionaires.
Somehow i don’t see people buying art for 50 bucks being able to afford those established brands, not to mention millionaires. More like they will just do it themselves. What you probably didn’t missed if you looked at the mentioned Deviantart, is how the overal amount of productive accounts rise rapidly, even though they produce AI pics.
person who owns the tool has all the power (and rest of the paragraph).
Again, similar as in the other automation cases, but since it’s digital thing there would probably always be alternatives, also i don’t think humans will en masse lost the drawing ability or something. And as i wrote them, it’s not AI they hate, it’s capitalism, and they downvoted even such a well established 150 years marxist thought, which precisely prompted me to call the sub “sigliberalism” and them the petty bourgies, even if just for their mentality.
